Rodolphe Loubatière
New track with Cyril Bondi and D’incise for recording, Insub.polytopies
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Musical improvisation and experimental music are bold and innovative forms of artistic expression. They push the boundaries of sound creation by using unexpected elements, such as piles of scrap metal, to create raw and authentic music. These elements are an integral part of the soundscape, adding a unique dimension to the composition. Musical improvisation and experimental music provide a captivating and surprising auditory experience, inviting listeners to explore new sounds and rethink traditional musical conventions. They open new perspectives and inspire limitless creativity.
"Sur le label WV Sorcerer on trouve des pépites noires du monde entier. Celle-ci vient d'ici plus ou moins mais semble émerger d'un gouffre. Y pénétrer est une expérience physique et mentale aussi physiquement massante que Sun O)))), aussi mentalement libératoire que Sun Ra. On pense garder ses repères batterie-guitare mais c'est un trou noir et la chute est vertigineuse"
L'embobineuse - Marseille
New collaboration
Cyril Bondi & Rodolphe Loubatière
Snare drum
https://insub.bandcamp.com/track/chantier
New Release!!
Thanks Diamant d'Or, Papier Gâchette, KreisCC, Soleils Bleus
L'Écluse:
Lise Barkas (vielle à roue)
Félix Chaillou-Delecourt (vielle à roue)
Lisa Käuffert (cornemuse / musette centre-france 16")
Ross Heselton (guitare six cordes)
Léonie Risjeterre (guitare douze cordes)
Magrava:
Cyril Meysson (guitare électrique)
Rodolphe Loubatière (batterie)
Enregistrement: Ross Heselton
Master: Cyril Meysson
Artwork: Léonie Risjeterre
Sérigraphie: Papier Gâchette
RYOKO AKAMA GREY (GRAY)
BONNIE JONES & RODOLPHE LOUBATIÈRE
https://insub.org/distances-3-8/
[electronics // snare drum]
Ryoko Akama’s scores are spaces offered to the musicians, where abstraction
takes form. Once again she proposes a reflection on the grey, on the color
without colors, on subtle shifts of perception. Bonnie Jones and Rodolphe
Loubatière both explore on their own that « hyperspace » born in distance.
Through Bonnie’s circuits and wires and on skin surface for Rodolphe, it
suddenly shape itself in our ears. This trio manages to balance concept and
sensitivity of raw material, in a long electrocoustic-improvisation/music
format.
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From september until decembre 2020, INSUB. curates the Insub.distances project. It invited height composers from the experimental scene to write originial scores. These compositions were interpreted by 8 duos of musicians fully sperareted. The pieces, recorded & filmed, and broadcasted online only investigate the issues of proximity and distance in a context where artistic mobility is turned obsolete by the current crisis, highlighting the need to create and exchange, beyond masks and closed borders. The 8 dematerialized performances that will be published one every two weeks, in video & audio formats, alongside interviews in which the musical, technical, contextual and personal aspects of the performers’ work are discussed. This dematerialized proposition explores virtuality as a palliative during the current situation – but also its limits by a crude montage which underlines the separation between the performers. The simplicity of the set-up ultimately reinforces the power of the music : tender and subtle counterpoints are found side by side to interweaved humming voices, explosive bursts, pulsations, meticulous explorations, resonance activations & ethereal harmonies…
10.09 Michael Pisaro-Liu ~
d’incise & Philippe Lauzier
24.09 Annette Schmucki ~ Antoine
Läng & Myriam Pruvot
08.10 Ryoko Akama ~ Rodolphe Loubatière
& Bonnie Jones
22.10 Jacques Demierre ~ Raphael Ortis &
Camille Emaille
05.11 Clara de Asís ~ Violeta Motta &
Cristián Alvear
19.11 Christian Wolfarth ~ Alexandra Bellon &
Alexis Degrenier
03.12 Sarah Hennies ~ Cyril Bondi & Mike
Majkowski
17.12 Jürg Frey ~ Anouck Genthon & Pierre-Yves
Martel
// Follow the project on Bandcamp – Youtube – Soundcloud – Facebook //
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New Collaboration - Confinement #6
The INSUB META ORCHETRA present here its third « Archive », recorded in the amazing acoustic of the Swiss Radio studio in Genva during the summer 2014. Four pieces, two relatively short and one very long, each of them placing the accent on a particlular and reduced aspect, silences, uniformity, durations, unisson and contrast. This « Archive#3″ sees also the return of the orchestra to structured pieces after a couple of years focused on improvisation. 29 musicians, with a large variety of instruements, winds, strings, electronics, percussions, an harmonium, and a good amount of uncategorized objects, build delicat textures, appearing and returning to the silence, force the listening to extreme zones, with a radical position on durations and minimal variations.